Andrew at CBC News emailed me about Jason, along with Wes Anderson, appearing on The Hour with George Stroumboulopoulos, tonight at 11pm on CBC (Canada).  You can however watch the interview here.

Also, video of Jason on The View can be found here, while Jimmy Kimmel can be found here and here.

I have been working like crazy this past week so I missed Jason on Jimmy Kimmel and Carson Daly. If anyone has the interviews and wants to send them in, email me. I’ll keep an eye out for them on YouTube as well.

Also, last week Rafael from SidewalksTV.Com let me submit a question for Jason in an interview he was doing with him. You can watch the video of it here.

Video of Jason on the CBS Early Show can be found here

I don’t know how I managed to miss this but Jason was on Conan O’Brien last night. Thankfully the video is up on YouTube, so you can watch it here if you missed it as well.

Jason in on the cover of Nylon Guys! I will hunt down the issue as soon as possible to scan

August 26, 2007 — THE pitch for “The Darjeeling Limited” is enough to send any hipster movie fan scrambling onto Fandango. Director Wes Anderson (”The Royal Tenenbaums,” “The Life Aquatic with Steve Zissou”) teams up with actor Jason Schwartzman for the first time since 1998’s “Rushmore” in a drop-dead gorgeous new film about three estranged brothers riding an Indian tourist train in search of meaning and their mother.

With the added sparkle of co-stars Owen Wilson and Adrien Brody, and the same offbeat humor and skewed family dynamics of Anderson’s previous work, “Darjeeling” seems poised to become one of the year’s most beloved art-house flicks. But the movie is notable for another reason, marking Schwartzman’s first turn as a screenwriter. We sat down with the actor to discuss international conference calls, his shadow career as a one-man band, and the divinity of going barefoot.

Q: You wrote “The Darjeeling Limited” with Wes Anderson and your cousin Roman Coppola. Where did the idea come from?

A: Years ago, Wes said to me, “I’d like to do a movie about brothers on a train,” and he wanted me to be one of the brothers. We ended up living together in Paris when he was promoting “The Life Aquatic” and I was filming “Marie Antoinette,” and the story crystallized. We’d walk around and tell each other stories about our lives, and we’d ask each other what these brothers were doing on the train and where they were going. It felt like a murder mystery that we were trying to figure out.

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